hydra>ruby script/console                                                                       
Loading development environment.
>> UploadedGroup.new.kind
=> "Uploaded"

578 examples, 8 failures, 3 pending

Pending:
# snipped due to secret sauce
^C

>> defined? $1
=> nil
>> "foo" =~ /(f)/
=> 0
>> defined? $1

>> defined? x && 7
=> nil
>> x = 5
=> 5
>> defined? x && 7

describe Person do
  before do
    @person = Person.new("Fred", "Brooks")
  end

# Start/Reuse SSH Agent - restart or re-use an existing agent
SSH_AGENT_CACHE=/tmp/ssh_agent_eval_`whoami`
if [ -s "${SSH_AGENT_CACHE}" ]
then
echo "Reusing existing ssh-agent"

Regardless, BioShock is a dark and astonishing masterpiece.  <snip>

This is the really bewildering thing about it: it succeeds so stunningly on three different fronts.
Not esoteric ones, either, these are the big challenges developers have been struggling to master for decades:
narrative, emergence, a sense of place. If another game did just one of these as well as BioShock, it would immediately qualify as a classic. When a game comes along that does all three, we can only be baffled and thankful.

        def do_channel_open( response )
          ch_type = response.read_string
          @log.debug "CHANNEL_OPEN recieved (#{ch_type})" if @log.debug?
          handled = false

        def send( payload )
          @mutex.synchronize do
            # force the payload into a string
            payload = @compressor.compress( payload.to_s )

module Enumerable
  def detect_value
    each { |o| val = yield(o); return val if val }
    nil
  end

class Object
  def should_equal(other)
    puts "testing equality of #{self} and #{other}"
    self
  end

class Object
  def should_equal(other)
    puts "testing equality of #{self} and #{other}"
    self
  end

check_argcount 1 2
set a:2
pop
passed_arg 1
git set_lbl1

class Object
  def should_equal(other)
    puts "testing equality of #{self} and #{other}"
    self
  end

class Object
  def print!
    puts self.inspect
  end